
ABOUT THE STUDIO
It’s a space for creative exploration and visual production, where I develop photographic, cinematic and narrative projects. I work independently or with a network of trusted collaborators, scaling each project to its specific needs, from intimate stories to large scale campaigns
How I Work
At the core, there’s a personal visual language, rooted in documentary sensitivity and cinematic craft. Around it, I build flexible teams of technicians, creatives, and producers. Every project starts with listening, continues with precision, and ends with something that resonates.
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What I Do
- Authored Work
– Documentary photography
– Short films and creative documentaries
– Exhibitions and photo books
– Personal projects on commission
Production Services
– Directing and video production
– Drone footage
– Editing and post-production
– Full production coordination
ABOUT ME
I’m a photographer and filmmaker.
I work across directing, camera, and drone to craft essential visual stories, rooted in reality.My background is in documentary.
My work has taken shape in Ukraine, Gaza, Egypt, and Italy, and has been published by outlets such as La Repubblica, L’Espresso, Vanity Fair, Internazionale, and others.That experience continues to shape my gaze, even in commissioned projects.I’ve worked across diverse contexts: editorial reportage, brand campaigns, educational projects, long-term visual narratives.
What ties them together is a consistent approach — attentive to places, people, and the details that often go unnoticed. I’ve led the creative direction and production of visual campaigns for clients including SONY, MSC Cruises, OVS, Leica, ENI Plenitude, and more.
My setup is flexible and adapts to each story — from agile solo productions to more complex projects with small teams of filmmakers, editors, producers, and sound designers.
This experience translates into a way of working that puts stories at the center — complex narratives, crafted with care and openness, making space for multiple perspectives when a single point of view isn’t enough.